βI tell jokes nonstop. So many of them do not land,β says Ghassan Zeineddine, whose debut short-story collection, β which is both moving and funny, tragic and comic β was recently published to great acclaim.
In real life, Zeineddine says, his friends and his wife usually βjust roll their eyesβ and dismiss his βsilly jokes.β But on the page, Zeineddineβs witΜύis irresistible, even β or especially β when his subject matter is at its most sincere.
Dearborn, which has garnered starred reviews fromand and was named a best book of September 2023 by The , comprises 10 stories, each based in the city of Dearborn and, in particular, the Arab American community that has made that city its home.
In story after story, Zeineddine displays both humor and a profound sympathy for his subjects, writing with subtlety and nuance from the points of view of men, women, and genderqueer characters, whose sexual orientations and degrees of religious devotion vary widely.
In βMarseille,β a 99-year-old Titanic survivor recounts her emigration from a small Druze village; in βYusra,β a butcher from east Dearborn spends his Fridays in Hamtramck, where he wonβt be recognized, dressed as a woman. In heels, clip-on earrings, and a hijab, he stops for iced coffee and red velvet cupcakes, which he carefully maneuvers past his niqab. βIf Iβve got frosting on my mustache,β he says, βno one can see it.β
Most of Zeineddineβs stories focus on Lebanese Americans (his own family background is Lebanese), but Iraqis, Syrians, and Yemenis also appear.
The book is as diverse as the town. This range of voices and experiences represented in Dearborn was intentional, he says: βI think itβs really important to show that thereβs no one Arab American experience.β The book, he adds, is βjust a representation of Dearborn, not the °ω±π±θ°ω±π²υ±π²Τ³Ω²Ή³ΩΎ±΄Η²Τ.β
With his family, Zeineddine recently moved from Dearborn to Ohio, where he teaches creative writing at Oberlin College. He says comedy is his βway of approaching serious matters.β
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βI tell my students this sometimes: If you make a reader laugh β and itβs hard to do that β sometimes they might be willing to go wherever you want to take them.β
Zeineddineβs storytelling is so seductive, and his sense of absurdity so acute, heβs able to lead readers in all sorts of directions, many of them unpredictable. In βThe Actors of Dearborn,β for instance, we meet Uncle Sam, who years ago changed his name from Samir and festooned his home with American flags and banners stamped with the logos of the Lions, Tigers, Pistons, and Red Wings.
After 9/11, we learn, Samir βnearly lost his mind, chewed his nails until they bled, could hardly sleep anymore, and spent every waking hour terrified that the government would accuse him of supporting terrorist organizations,β revoke his citizenship, and deport him. His new name and his flags are an attempt to prove his βpatriotic fervorβ to anyone who might be watching β and, as Zeineddine shows, someone is watching.
The story is set in 2019, when U.S. Immigration and Customs Enforcement agents were a common sight in Dearborn and a constant source of fear and anxiety for many residents. Zeineddine depicts that atmosphere of uncertainty with tremendous sensitivity. At the same time, though, he seems to gently tease his characters: Against Uncle Samβs very real fear of persecution is poised the absurdity of his chosen name β and his flag collection.
βIβm able to maybe navigate terrain that might be difficult to navigate if it werenβt for comedy,β Zeineddine says. But, he adds, βI want to make it clear that Iβm not romanticizing Dearborn. I mean, I love the city β Iβm so deeply obsessed with it, and I find it just so unique.β
Zeineddine, who was born in Washington, D.C., and grew up both there and in Saudi Arabia, didnβt actually visit Dearborn until he landed a teaching job at the University of Michigan Dearborn. In his mind, though, he had βmythologizedβ the city for years.
βWhen I was writing these short stories, I really wrote them from this deep love for the community,β Zeineddine says. βBut having this deep affection for the community doesnβt mean that you canβt also acknowledge faults in the community. β¦ Itβs just a matter of, youβre capturing the atmosphere in the city, and this is what youβre seeing.β
This story is from the January 2024 issue of ΒιΆΉ·¬ΊΕ Detroit magazine. Read more in our digital edition.
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